The Theory Of The Work Of Art - 1371 Words

Cubism was always an interpretation of objective reality, of a given motif. But Kandinsky was to initiate was by contrast essentially and deliberately non-objective. Kandinsky’s own experience was personal and even apocalyptic. 2 Kandinsky conclude non-objective painting must be expressive, emotion or spiritual experience. Non-objective painting could form and colour, free form all representational aim, be articulated into a language of symbolic discourse. 3.Art is a construction of concrete elements of form and colour which become expressive in the process of synthesis or arrangement: the form of the work of art is in itself the content, and whatever expressiveness there is in the work of art originates with the form. 4. The whole purpose of this alternative principle was to escape from the internal necessities of our individual existence and to create a pure art, free from human tragedy , impersonal and universal. 5.The painter who was to develop to its logical extreme the objective concept of abstraction was Piet Mondrian (or Mondriaan) 6. His (Mondrian’s) style of pure abstraction evolves gradually and consistently form his patient search for a reality behind the motif. 7.The journal De Stijl was a propogate their views on art. This became the name of the movement, though Mondrian himself always preferred Nieuwe Beelding (neo-Plasticism) as a more meaningful word. 8.M.J Schoenmaekers was an original thinker and had elaborated a Neoplatonic system which he calledShow MoreRelatedWhat Is Freud’s Unconscious Theory and How Is It Applied in the Art Work of Dada/ Surrealist Artists?1958 Words   |  8 PagesWhat is Freud’s unconscious theory and how is it applied in the art work of Dada/ surrealist artists? Sigmund Freud was a Jewish Austrian neurologist who founded the discipline of psychoanalysis. Freud went on to develop theories about the unconscious mind. The concept of the unconscious theory was central to Freud’s ideas of the human mind. He first introduced his ideas around the unconscious theory when trying to explain what happens to ideas that are repressed but remain in the mind. InRead MoreWhat Is Freud’s Unconscious Theory and How Is It Applied in the Art Work of Dada/ Surrealist Artists?1968 Words   |  8 PagesWhat is Freudà ¢Ã¢â€š ¬Ã¢â€ž ¢s unconscious theory and how is it applied in the art work of Dada/ surrealist artists? Sigmund Freud was a Jewish Austrian neurologist who founded the discipline of psychoanalysis. Freud went on to develop theories about the unconscious mind. The concept of the unconscious theory was central to Freudà ¢Ã¢â€š ¬Ã¢â€ž ¢s ideas of the human mind. He first introduced his ideas around the unconscious theory when trying to explain what happens to ideas that are repressed but remain in the mind. Read MoreWhat Is A Theory Of Art?1446 Words   |  6 PagesWhat is a theory of art? Why might one think these criteria lead to a circular theory of art? Why would one be wrong in this assessment? Critics have been trying to determine what exactly the definition art is for many years now. Throughout history, identifying what was art and what was not was presumed to be obvious. Therefore, one was able to differentiate between art and ordinary things as easily as one could tell one ordinary object from another. 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Exploring the connection between art and emotion is an essentialRead MoreThus, Barwell Presents Her Own Sentence Schemata, Arguing1663 Words   |  7 Pages Barwell presents her own sentence schemata, arguing that sentence schema 1-4 are meant to be understood as the following: â€Å"This artwork is well suited to be a product of an expression of E-ness† The recognition of expressive qualities within an art piece – whether it be features of a face in a painting, gestures of a thespian during a theatrical performance, or the timbre of a guitar at a concert – are able to be used by the audience member for their own purposes. Barwell argues that the audienceRead MoreIs it Possible to Define ‘Art’?1656 Words   |  7 Pagessculpture, producing works to be appreciated primarily for their beauty or emotional power. The above quotation is the Oxford Dictionary’s definition of art. It is one of the many definitions and theories written in answer to the question â€Å"what is art?† However, that very question implies an inhibited and essentialist answer such as â€Å"Art is†¦Ã¢â‚¬  Throughout the centuries philosophers, critics and authors have attempted to edge us ever nearer to the evasive concept that is ‘art’. It is an incrediblyRead MoreDavid Hume Philosophy1172 Words   |  5 Pagesneed to find structure in the one of the most complex aspect of life, art. The Merriam-Webster Dictionary defines art as â€Å"the conscious use of skill and creative imagination especially in the production of aesthetic objects†. Paul Ziff, an American philosopher, defined art using a very broad phrase. According to the philosophy of Paul Ziff, â€Å"something fit to be an object of aesthetic attention† can be classified as art. Both definitions are rather ambiguous. 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Artistic theory, according to Danto, requires the presence of a subject, style, rhetorical ellipses, and that of historical context. Danto is capable of developing this view on art with the aid of an imaginary characterRead MoreArthur C. Danto s The Artworld1336 Words   |  6 Pagessee something as art requires something that the eye cannot descry-an atmosphere of artistic theory, a knowledge of the history of art: an artworld.† Danto shows us the importance of the artworld in order to know that a work of art is more than just what we can plainly see. Danto provides two theories he calls the â€Å"IT† (Imitation theory) and the â€Å"RT† (Reality theory). With these two theories, Danto ex plains how we can define art and why â€Å"The Artworld† is needed to help understand art, because after